A beloved and blistering cult classic and finalist for the Lambda Literary Award for Transgender Fiction finally back in print, Nevada follows a disaffected trans woman as she embarks on a cross-country road trip.

Maria Griffiths is almost thirty and works at a used bookstore in New York City while trying to stay true to her punk values. She’s in love with her bike but not with her girlfriend, Steph. She takes random pills and drinks more than is good for her, but doesn’t inject anything except, when she remembers, estrogen, because she’s trans. Everything is mostly fine until Maria and Steph break up, sending Maria into a tailspin, and then onto a cross-country trek in the car she steals from Steph. She ends up in the backwater town of Star City, Nevada, where she meets James, who is probably but not certainly trans, and who reminds Maria of her younger self. As Maria finds herself in the awkward position of trans role model, she realizes that she could become James’s savior—or his downfall.

One of the most beloved cult novels of our time and a landmark of trans literature, Imogen Binnie’s Nevada is a blistering, heartfelt, and evergreen coming-of-age story, and a punk-smeared excavation of marginalized life under capitalism. Guided by an instantly memorable, terminally self-aware protagonist—and back in print featuring a new afterword by the author—Nevada is the great American road novel flipped on its head for a new generation.

Imogen Binnie is the author of the novel Nevada, which won the Betty Berzon Emerging Writer Award and was a finalist for the 2014 Lambda Literary Award for Transgender Fiction. A writer for several television shows and a former columnist for Maximum Rocknroll, she lives in Vermont with her family.

Michelle Tea is author of a bunch of books including the cult classic Valencia, the PEN/America award-winner Against Memoir, and the apocalyptic autofiction Black Wave. Knocking Myself Up: A Memoir of My In/Fertility will be published by Dey Street Books this summer. She is 2021 Guggenheim Fellow.

Brontez Purnell is a writer, musician, dancer, filmmaker, and performance artist. He is the author of a graphic novel, a novella, a children's book, and the novel Since I Laid My Burden Down. The recipient of a 2018 Whiting Writers' Award for Fiction and the 2022 Foundation for Contemporary Arts Robert Rauschenberg Award, he was named one of the thirty-two Black Male Writers of Our Time by T: The New York Times Style Magazine in 2018. Purnell is also the frontman for the band the Younger Lovers, a cofounder of the experimental dance group the Brontez Purnell Dance Company, the creator of the renowned cult zine Fag School, and the director of several short films, music videos, and the documentary Unstoppable Feat: The Dances of Ed Mock. Born in Triana, Alabama, he's lived in Oakland, California, for more than a decade.

"A beautiful and occasionally disturbing complication of the oh-so-American trope of the cross-country road trip . . . it’s long past time for the cis reader to form a bond with the brilliance of [Binnie's] work." —Emma Specter, Vogue

"This is hands down my favorite book of the summer . . . Binnie’s fiction has so much to say about the queer and trans experience, bodily autonomy, community, and the ways queer people process trauma." —David Vogel, Buzzfeed

"While it’s true that the iconoclastic beauty of Binnie’s 2013 novel lies partly in its straightforward nature—a bookstore clerk gets dumped and then fired from her job, prompting a solo sojourn out west—it also brims with uncommonly judicious insight into the emotional topography of trans bodies." —Michelle Hart, Electric Lit

"Nevada is a book that changed my life: it shaped both my worldview and personhood, making me the writer I am. And it did so by the oldest of methods, by telling a wise, hilarious, and gripping story." —Torrey Peters, author of Detransition, Baby

"It is truly a joy to watch Imogen Binnie, a master of suspense, paint the page with a both-feet-on-the-gas-pedal inner monologue that is at once, spontaneous, acidic, razor sharp observant, fully embodied and (most importantly) vulnerable. The writing here infers a time in the not so distant past where the terms 'queer' and 'counter-culture' were synonymous, on top of taking the great American road trip novel and turning it on its entire ass. Originally printed in 2013, this is the type of story that was so nice it had to be printed twice. TENS ACROSS THE GODDAMN BOARD." —Brontez Purnell, author of 100 Boyfriends

"Imogen Binnie’s gimlet-eyed prose is raw, funny, and then devastating. I can’t get Maria Griffiths out of my head: she’s an edgy heroine, a new archetype—the quintessential late 20s punk rock trans girl blowing up her life and making friends on the road (or in the parking lot)." —Andrea Lawlor, author of Paul Takes the Form of the Mortal Girl

"I'm here to testify that this reissue proves Nevada changed the world. Imogen Binnie's wise, honest, funny and brazenly intellectual work inspired the future and is still provocative, deep and fun to read." —Sarah Schulman, author of Let the Record Show

"I've told people that Nevada is the On the Road of trans literature, but that's glib and unfair to Imogen Binnie, who is a lot smarter than Jack Kerouac. Nevada crept in under cover of night in 2013 and assumed its position as a classic while everyone's attention was elsewhere. When you read it, especially the second time, you will marvel at how casually Binnie deploys complex arguments without slowing the momentum of her narrative or the unbreakable flow of her galloping prose. This is one for the ages." —Lucy Sante, author of Maybe the People Would be the Times

"[Nevada] is everything—personal, political, funny, raw, hyper-brainy, and down to earth. I want to stay in Maria's brain forever as she rides her bike through the streets of Brooklyn, doggedly hashing out her existence with humor and befuddled honesty. A really powerful new literary voice." —Michelle Tea, author of Valencia

"Only recently have trans writers begun to write from their own lives, and the lives of their community, lives that are hard, sometimes lonely, or dangerous, but also joyous and even strong. Imogen Binnie's Nevada—funny, harsh, above all, honest and uncensored—was a pioneer in this new wave of trans books. It's great to see it back in print and reaching a wider audience." —Rachel Pollack, author of The Beatrix Gates

Skylit: Nevada by Imogen Binnie, with Michelle Tea and Brontez Purnell