Feb
17
1:30am
Live Class: Editing Without Losing Your Voice With Agent Fiona Kenshole
By The Manuscript Academy
You may have heard that you have to kill your darlings. But what if--with feedback coming from every angle--you've killed not just your darlings, but your manuscript's unique voice? It's a delicate balance, and agent Fiona Kenshole is here to help. With her wit, wisdom, delightful accent, and upbeat nature, she'll guide you through the process of incorporating feedback while identifying--and protecting--what makes your unique energy come through on the page--and stand out in the query pile.
Please note: This event is designed to be 100% introvert-friendly. No one will be able to see you. Pajamas and snacks encouraged.
Can't make it live? The replay will be available at the same link.
Fiona says:
I love the midwifery of being an agent, from getting your debut published to doing the movie deal, and at Transatlantic we like to sell your book to publishers all over the world so I work with co-agents in 28 countries, selling worldwide rights.
I have lived in lovely Portland, Oregon for the last ten years: I moved to the US from Oxford, England to join Laika, a brand new studio to make animated films. As Vice President of Development Acquisition, my first three films were all Oscar nominated: THE BOXTROLLS, CORALINE and PARANORMAN.
Previously, I was a publisher in the UK where I worked with best-selling names including Michael Bond (Paddington Bear), P.L Travers (Mary Poppins) and the Laureate Michael Morpurgo (War Horse). I was the British editor for authors including Beverley Cleary, Lois Lowry, Richard Peck, Bruce Coville, Gary Paulsen and Cynthia Voigt, and was nominated for “Editor of the Year” at the British Book Awards.
My first job was at age 16, working in a children’s book store. After graduating from Cambridge University, I headed up children’s publishing at Oxford University Press, Hodder (Little, Brown UK), and HarperCollins.
I specialize I children’s and YA books, from picture books to older teenage, split about 70/30 fiction/nonfiction. Some recent successes include Vicki Grant’s YA romcom, 36 QUESTIONS THAT CHANGED MY MIND ABOUT YOU (Running Press), which sold in 22 languages and has just been optioned for TV; illustrator Kass Reich’s picture book CARSON CROSSES CANADA (Penguin Random House) which held the number one spot in the Canadian bestsller lists for 5 weeks; and Rosanne Parry’s forthcoming middle grade A WOLF CALLED WANDER (Greenwillow) which has sold in six languages ahead of publication. I’ve recently been successful selling graphic novels and would love to take on more clients in this area.
I have a special soft spot for unreliable narrators, middle grade stories with real children in an imaginary world, and feelgood YA. I love pretty much anything with cycling in it.I love fast-paced characterful writing – suspense, mysteries, plots that go awry. Most of all I love compelling writing that makes me laugh out loud, or makes me love the characters so much that I love the world more than real life.
I love stories that surprise me. If I can predict the ending in the opening pages (especially with picture books) it’s probably not for me. I don’t represent faith based books – although I’d be interested in a YA novel where a character grapples with understanding faith and the meaning of life, like “Now I Know” by Aidan Chambers. I don’t represent rhyming picture books or poetry.
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