Feb
25
12:30am
Chronicling Stankonia--Regina N. Bradley in conversation with Kiese Laymon
By Charis Books and More/Charis Circle
Charis welcomes Regina N. Bradley in conversation with Kiese Laymon for her highly anticipated, Chronicling Stankonia: The Rise of the Hip-Hop South. This event is co-sponsored by the Auburn Avenue Research Library on African American Culture and History.
This vibrant book pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post-civil rights generation. For scholar and critic Regina N. Bradley, Outkast's work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators--including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for Black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. Andre 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole.
Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern Black identity.
This event is free and open to all people, especially to those who have no income or low income right now, but we encourage and appreciate a solidarity donation in support of the work of Charis Circle, our programming non-profit. Charis Circle's mission is to foster sustainable feminist communities, work for social justice, and encourage the expression of diverse and marginalized voices. https://donatenow.networkforgood.org/CharisCircle?code=chariscirclepage
We will be archiving this event and adding closed captioning as soon as possible after airing so that it will be accessible to deaf and HOH people. If you have other accessibility needs or if you are someone who has skills in making digital events more accessible please don't hesitate to reach out to [email protected]. We are actively learning the best practices for this technology and we welcome your feedback as we begin this new way of connecting across distances.
By attending our virtual event you agree to our Code of Conduct: Our event seeks to provide a harassment-free experience for everyone, regardless of gender, gender identity and expression, age, sexual orientation, disability, physical appearance, body size, race, ethnicity, religion (or lack thereof), class, or technology choices. We do not tolerate harassment in any form. Sexual language and imagery are not appropriate. Anyone violating these rules will be expelled from this event and all future events at the discretion of the organizers. Please report all harassment to [email protected] immediately.
Regina N. Bradley is an alumna Nasir Jones Hiphop Fellow at Harvard University and an assistant professor of English and African diaspora studies at Kennesaw State University. She is the author of Boondock Kollage; Stories from the Hip Hop South, Chronicling Stankonia: The Rise of the Hip-Hop South, and editor of the forthcoming anthology, An Outkast Reader: Essays of Race, Gender, and the Postmodern South.
Born and raised in Jackson, Mississippi, Kiese Laymon, Ottilie Schillig Professor in English and Creative Writing and the University of Mississippi, is the author of the novel Long Division, the memoir Heavy, and the essay collection How to Slowly Kill Yourself and Others in America.
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