Remica L. Bingham-Risher, a native of Phoenix, Arizona, is an alumna of Old Dominion University and Bennington College. She is a Cave Canem fellow and Affrilachian Poet. Among other journals, her work has been published in the New York Times, the Writer’s Chronicle, New Letters, Callaloo and Essence. She is the author of Conversion (Lotus, 2006) winner of the Naomi Long Madgett Poetry Award, What We Ask of Flesh (Etruscan, 2013) shortlisted for the Hurston/Wright Award and Starlight & Error (Diode, 2017) winner of the Diode Editions Book Award. Her first book of prose, Soul Culture: Black Poets, Books and Questions that Grew Me Up, was published by Beacon Press in 2022. Her next book of poems, Room Swept Home, was published by Wesleyan in February 2024. She is currently the Director of Quality Enhancement Plan Initiatives at Old Dominion University and resides in Norfolk, VA with her husband and children.

Room Swept Home serves as a gloriously rendered magnifying glass into all that is held in the line between the private and public, the investigative and generative, the self and those who came before us. In a strange twist of kismet, two of Bingham-Risher's ancestors intersect in Petersburg, Virginia, forty years before she herself is born: her paternal great-great-great grandmother, Minnie Lee Fowlkes, is interviewed for the Works Progress Administration Slave Narratives in Petersburg in 1937, and her maternal grandmother, Mary Knight, is sent to Petersburg in 1941, diagnosed with "water on the brain"--postpartum depression being an ongoing mystery--nine days after birthing her first child.

Marrying meticulous archival research with Womanist scholarship and her hallmark lyrical precision, Bingham-Risher's latest collection treads the murky waters of race, lineage, faith, mental health, women's rights, and the violent reckoning that inhabits the discrepancy between lived versus textbook history, asking: What do we inherit when trauma is at the core of our fractured living?

Kim Coleman Foote grew up in New Jersey, where she started writing at the age of seven(ish). Her work elevates marginalized stories, with a focus on African American history, slavery, relationships between Africa and its diaspora, and intersections of race, gender, and class. Currently in progress is Salt Water Sister, a novel about Ghana and the trans-Atlantic slave trade, which weaves the stories of three young women in the eighteenth century and present day. Kim was named a finalist for the Carol Shields Prize for Fiction, NAACP Image Award, and Audie Award, and long-listed for the Center for Fiction First Novel Prize.

In 1916, during the early days of the Great Migration, Celia Coleman and Lucy Grimes flee the racism and poverty of their homes in the post-Civil War South for the "Promised Land" of Vauxhall, New Jersey. But the North possesses its own challenges and bigotries that will shape the fates of the women and their families over the next seventy years. Told through the voices of nine family members--their perspectives at once harmonious and contradictory--Coleman Hill is a penetrating multigenerational debut.

Within ten years of arriving in Vauxhall, both Celia and Lucy's husbands are dead, and they turn to one another for support in raising their children far from home. Lucy's gentleness sets Celia at ease, and Celia lends Lucy her fire when her friend wants to cower. Encouraged by their mothers' friendship, their children's lives become enmeshed as well. As the children grow into adolescence, two are caught in an impulsive act of impropriety, and Celia and Lucy find themselves at irreconcilable odds over who's to blame. The ensuing fallout has dire consequences that reverberate through the next two generations of their families.

REMICA L. BINGHAM-RISHER and KIM COLEMAN FOOTE in conversation with Karis McPherson, BEYOND BOUNDARIES PANEL 15